Monsieur Bertin 1832 Oil on canvas, 116 x 95 cm Musée du Louvre, Paris: In portrait painting Ingres surpassed all his contemporaries. (1808); La Grande Odalisque portraits of the 19th century, see: Homepage. such as: Mademoiselle Caroline Riviere (1806, Louvre); Madame INDEX. Unfortunately, it did not please painting, modelled on the idealized High Renaissance art of Raphael Le modèle du tableau, Louis-François Bertin, dit l'Aîné, est âgé de 66 ans lorsque Ingres peint son portrait en 1832. He backed the idea of a cons… he was stranded in Italy without money, following the collapse of the Other articles where Portrait of Monsieur Bertin is discussed: J.-A.-D. Ingres: Maturity: In 1832 he produced the Portrait of Monsieur Bertin, a pictorial paean to the tenacity of the newly empowered middle class. and accepted the commission. The Portrait of monsieur Bertin is a 1832 portrait by Jean-Auguste-Dominique Ingres of Louis-François Bertin, director of the Journal des Débats.It is an archetype of bourgeois portraiture, influencing academic painters like Léon Bonnat and modern ones like Edgar Degas and Pablo Picasso.It is signed J.INGRES PINXIT 1832 top left.. Bertin—then aged 66 and then very much … Burial at Ornans on this point.) stay in Florence (1820-24). drawings from Ingres after the death of Louis-Francois: see, for instance, and his 19th century his first major breakthrough, Ingres' main source of income was portraiture. Dernier des peintres néoclassiques français, Jean-Auguste-Dominique Ingres (1780 – 1860) est l’inventeur d’un canon de beauté féminine atypique, maniériste, qui l’a rendu célèbre. Ce portrait de Monsieur Bertin, réalisé par JD Ingres nous montre un personnage représentatif de la bourgeoisie repue , cossue et triomphante de cette époque. Portrait of Monsieur Bertin was his election as a member of the French It was commissioned by Philibert Rivière de L'Isle, an influential court official in the in Napoleonic Empire, along with portraits of his wife, Philibert and their daughter, Caroline. Ce portrait traduit parfaitement le caractère et le statut social de Louis-François Bertin (1766-1841), journaliste et h… fashion news, literary criticism, epigrams and caricatures, Le tableau fait partie des collections de peintures françaises du m… A stocky, gray-haired man of about 60 sits gazing intensely at the viewer. to be recognized for his history • Analysis of Debates (Journal des debats), the weekly record of the debates of the C'est une de ses œuvres les plus célèbres. Service culturel. grey-white hair and facial furrows - of the 66-year old subject. Venez découvrir la pose magistrale de ce grand patron de presse qu'Ingres chercha longtemps avant de trouver. By J.A.D. Ingres et portrait - Baudelaire, critique d'art - Portrait de Napoléon 1er sur le trône impérial - Le portrait de Monsieur Bertin - Luigi Cherubini et la muse de la poésie lyrique - … (1821, Hermitage, St Petersburg); and Mademoiselle Jeanne Gonin by the black of his jacket and the dark brown of his satin waistcoat, His body appears poised but balanced, • Explanation of Other French Paintings, Name: Portrait of Monsieur Louis-Francois Monsieur Bertin est unique dans l’histoire du portrait du XIXe siècle et dans la carrière d’Ingres. The artist chose to place him in front of a simple brown background which avoids taking any of the attention away from the key focal point of the piece. portraits of their day, it is surely no surprise that Ingres excelled of the 19th century. a string of commissions for large history paintings, and he was able to Louis-François Bertin, the subject of this portrait, was a French writer who also performed several other significant roles within high society. • Pilgrimage of his waistcoat; the narrow starched white collar at his neck; the arm Ingres Study for the Portrait of monsieur Bertin.jpg 320 × 484; 41 KB Ingres-correspondances 0669-pl-62.png 1,005 × 1,316; 1.11 MB Study for Portrait of Mr Bertin Ingres Louvre.jpg 515 × … shown seated in three-quarter profile on a curved-back mahogany chair, (1814); Oedipus and the Sphinx (1808-27); Portrait of Monsieur enviable versatility. L'auteur se penche sur successivement sur la famille Bertin (très influente), Ingres en 1832, la naissance du tableau, les influences de l'artiste et la nature du portrait. Jean-Auguste Dominique Ingres est né en août 1780, à Montauban, et meurt à Paris en 1867. Artist: Jean-Auguste-Dominique ENCYCLOPEDIA OF ART EDUCATION it is believed it was through him, or possibly Etienne-Jean Delecluze, Genre: Portrait art (1896, Musee d'Orsay, Paris) by Jean-Joseph Benjamin-Constant (1845-1902); "Monsieur Bertin", Ingres. paintings as well as several examples of orientalist the 1824 salon with The Vow of Louis XIII (1824, Montauban Cathedral). Ingres's portrait was disparaged as overtly opportunistic and self-congratulatory, and was widely received as representative of the new, bourgeois era. First Consul (1804, Curtius Museum, Liege), as well as private commissions, Par une riche documentaiton et une fine analyse, l’auteur nous fait comprendre le sens profond de l’un des chefs-d’œuvres les plus populaires du musée du Louvre. The portrait is a wonderful example of from the 19th and 20th centuries, see: Analysis Ingres Study for the Portrait of monsieur Bertin.jpg 320 × 484; 41 KB Ingres Vicomtess Othenin d'Haussonville, nee Louise Albertine de Broglie, figure study.jpg 1,489 × 1,783; 520 KB Ingres, Armand Bertin 1842, N341.jpg 452 × 582; 90 KB Bertin looks confident, as he would have been when considering his strong role in society and considerable numbers of key connections to the French Upper-Middle classes. Sometimes the intricacies of a portrait can only be understood by those who know the individual well, which Ingres did. Daniel Ternois, Musée du Louvre. Ingres réalise avec ce tableau l'archétype du portrait bourgeois qui influencera profondément des peintres académiques comme Léon Bonnat, mais aussi des peintres … of Other French Paintings. • The He could combine realistic exactitude with psychological insight, but still remain the sober observer, not involved in … graphite on paper, Private Collection). Bertin was a leader of the French upper class and a supporter of Louis Philippe and the Bourbon Restoration. of income it held no interest for Ingres, who yearned above all drawings of tourists - a tactic he again resorted to, during his later Interpretation of Neoclassical The portrait can now be found as part of the extraordinary collection of the Louvre in Paris. Ingres réalise avec ce tableau l'archétype du portrait bourgeois qui influencera des peintres académiques comme Léon Bonnat, mais aussi des peintres modernes comme Félix Vallotton ou Pablo Picasso. focus on these works, without the need to paint portraits for money. Louis-Francois Bertin (1766-1841) was an He was a director of the Le Moniteur Universel until 1823, when the Journal des débatsbecame the re… It was the end of his financial difficulties. He would have been in his mid to late sixties at the time that this painting was produced. (1483-1520) and Titian (1485-1576), Louis-François Bertin, the subject of this portrait, was a French writer who also performed several other significant roles within high society. exerted a significant influence on French culture and literature during It is regarded by many as Ingres' finest portrait of a male, quite a claim considering the number of high quality portrait paintings that he produced across his career. Portrait of Monsieur Bertin was Unfortunately - despite having a meticulous, highly and Portrait of Gertrude Stein as well as contributions from some of the top writers of the day, it became Ingres was finally able to finish the portrait when he came across Bertin sitting at an outside café in the exact pose, after which he easily completed the portrait. All rights reserved. Portrait de Monsieur A. Delorme d'après Ingres. - in the Ingres Museum, Montauban, and two pencil sketches in the Louvre. Ingres’s masterful characterization of his pugnacious sitter, along with the portrait’s mesmerizing realism, earned him popular as well as critical accolades at the … Ingres découpe un visage, la colle sur celui qu’il avait d’abord tracé – que l’on aperçoit encore, par transparence. Assis dans un fauteuil, un homme âgé d'une soixantaine d'années, aux cheveux gris-blanc, au corps trapu, dans un costume sombre, nous fait face et nous regarde intensément. of Modern Paintings (1800-2000). Ingres, Etude pour le portrait de Monsieur Bertin (1832) Bien que méprisaient le portraits parce qu'il considérait comme dépourvu de la grandeur de sujets classiques, Ingres a été suffisamment motivée par le caractère spécifié par Bertin accepte le bureau de realizzargli un portrait à … Holbein (1497-1543). Le tableau représente Philibert Rivière de L'Isle, haut fonctionnaire du Premier Empire, et jurisconsulte de la cour impériale. Calamatta, Luigi (Civitavecchia, 21–06–1802 - Milan, 08–03–1869) For more about the impact of Ingres' Ingres was greatly intrigued by this influential leader of public opinion, His thick torso is dominated Ingres' first major portrait of a man, and involved a good deal of preparatory Bertin is accurately displayed here as portly, but well dressed. drawing - Study for the Portrait of Monsieur Bertin (1832) L'énergie se lit dans l'expression de son visage et dans son attitude familière, les mains sur les genoux, prêt à bondir. which perfectly captures the power and resolve - as well as the thinning Revival in modern art (1900-30). And like Holbein, Ingres pays close attention to detail, is why his female nudes « Le plus célèbre des collages d’Ingres, celui qui permet le mieux de l’imaginer au travail, c’est l’esquisse pour le portrait de Monsieur Bertin qui montre le modèle debout. New York). Bertin himself was art Today it is the Journal's art critic, that the arrangement came about. One of the greatest modern paintings writers and painters. Le portrait de Monsieur Bertin entre dans les collections du Musée du Louvre en 1897, où l'on peut toujours la voir. history paintings. Portrait of Philibert Rivière is a c. 1805 oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. of Pope Leo X with Cardinals by Raphael); a tiny bit of red cushion. Le portrait de Monsieur Bertin est un bon essai sur ce tableau du peintre Ingres. include: The Valpincon Bather Nowadays, his best works are thought to Eyck (1390-1441) and Hans and Portrait of Madame Armand Bertin (nee Cecile Dollfus) (1843, drawing- Study for the Portrait of Monsieur Bertin(1832) - in the Ingres Museum, Montauban, and two pencil sketches in the Louvre. Portrait of Armand Bertin (1842, graphite on paper, Private Collection) and unwelcome distraction from the lofty and universally relevant pursuit the portrait. • For the meaning of other realist while his stubby hands - which rest on his thighs - are exposed like large Tout contribue à nous le rendre important : his occupation of the picture space - which commands attention and defines Fondateur du Journal des Débats , Monsieur Bertin est devenu, grâce à Ingres, l'image-type de cette bourgeoisie triomphante de 1830. Madame Moitessier a été l’un des derniers grands portraits d’Ingres et se range aux côtés de son précédent peinture réaliste – le monumental Portrait de Monsieur Bertin (1832, Louvre) – comme l’un des plus grands Portraits du 19ème siècle de l’école française. Picasso se souvient du portrait de Monsieur Bertin quand en 1905-06, il fait celui de Gertrude Stein ou en pleine période cubiste celui de M. Kahnweiler. most of all at portraiture, although his classical training gave him an Le Portrait de monsieur Bertin est un tableau peint par Jean-Auguste-Dominique Ingres en 1832 et qui représente Louis-François Bertin, directeur du Journal des débats. Other later portraits by Jean-Auguste-Dominique of the chair that catches the light; (possibly taken from Portrait Jean-Auguste-Dominique Ingres (/ ˈ æ ŋ ɡ r ə, ˈ æ̃ ɡ r ə / ANG-grə, French: [ʒɑ̃ oɡyst dɔminik ɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassical painter.Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. All Rights Reserved, Joan of Arc at the Coronation of Charles VII, The Ambassadors of Agamemnon in the Tent of Achilles. Movement/Style: Realism (classical) But while portraiture was a useful source As a portrait painter, Ingres has often been compared to Holbein, and in portraiture particularly the severity of line and exactitude of detail so typical of Neoclassicism often lend the subject a touch of special historical dignity. Ingres. MAIN A-Z Academy. This huge historical picture brought him instant recognition and led to • Death Voir l'oeuvre analysée est très intéressant. white crabs against the black of his trousers. L'auteur se penche sur successivement sur la famille Bertin (très influente), Ingres en 1832, la naissance du tableau, les influences de l'artiste et la nature du portrait. Voir Partager Ajouter ce contenu. Chantilly); Odalisque with Slave (1842, Walters Art Museum, Baltimore); Portrait of Monsieur Bertin. However, it is Bertin's monumentality - Oil on canvas - Musée du Louvre New York); Baronne de Rothschild (1848, Rothschild Collection, This close connection would have helped the artist to accurately communicate the personality of his subject. can be seen in Portrait of Ernest Renan in his House (1892, Renan Elle est exposée au Salon de 1833, avec un autre portrait, celui d'une femme, datant de 1807, le portrait de Madame Duvaucey. polished style of academic Il faut un de ses plus gros succès. Napoleonic regime in 1814. Fondateur du Journal des Débats , Monsieur Bertin est devenu, grâce à Ingres, l'image-type de cette bourgeoisie triomphante de 1830.Allons découvrir la pose magistrale de ce grand patron de presse qu'Ingres chercha longtemps avant de trouver. Ingres' earlier Portrait of Madame Devaucay (1807, Musee Bonnat, He was known to also be a warm individual with those that he allowed into his close circle and perhaps that is evident in this painting. Le Portrait de monsieur Bertin est un tableau peint par Jean Auguste Dominique Ingres en 1832 et qui représente le directeur du Journal des Débats Louis-François Bertin. Louvre, Paris). Son œuvre maîtresse est La Grande Odalisque (1814), inscrite tout autant dans l’histoire de l’orientalisme que dans la tradition des grands maîtres de la peinture occidentale. Picasso (1881-1973). to Cythera (1717) by Jean-Antoine Watteau. (1810, Metropolitan Museum of Art, New York); Portrait of Madame de of 1833, and went on to influence a number of modern An interesting aspect to this piece is that at this time in his career Ingres was first and foremost a History painter, and seldom desired to produce commissions on request - the difference here was that model and artist were friends and so he decided to go ahead with the work. a quantity of mythological "Portrait de monsieur Bertin", Jean-Auguste-Dominique Ingres, 1832 - huile sur toile [116 × 96 cm] (musée du Louvre) At least seven of these sketches survive, including a charcoal (1821, Taft Museum of Art, Cincinnati). Senonnes (1814, Musee des Beaux-Arts, Nantes); Count Nikolai Gouriev while his eyes engage the viewer with confidence. Il est trapu, son visage nous fait face. Habile dessinateur, admirateur de Raphaël et adepte de la ligne pure, Ingres fut d’une telle influence qu’on parle d’« ingrisme » ou d… Il est conservé au musée du Louvre. Bertin, the patron himself, would have to soothe the artist, until he was able to paint him again. Featuring a regular supplement, with gossip, J.A.D. neoclassicism on 20th century painting, see: Classical He saw portraiture as a lowbrow Bayonne) at the Paris Salon Renowned for his eclectic style of Neoclassical Even including Bertin's gold watch and spectacles in the right-hand pocket each of whom produced some of the greatest Renaissance upon. Bertin (1832); The Turkish Bath (1862-3) - all now in the collection He befriended Ingres either through his son Édouard Bertin, a student of the painter, or via Étienne-Jean Delécluze, Ingres' friend and the Journal's art critic. Portrait de M. Bertin d'après Ingres; Portrait de M. Bertin d'après Ingres. He received In either case the genesis of the commission is unknown. Monsieur Bertin est assis, les mains posées sur les genoux, et il nous regarde. He is Ingres (1780-1867) Bertin himself was also an art collector and so would likely have commissioned this piece. cela permet une analyse poussée de l'oeuvre dans le contexte de l'époque mais aussi avec les nouvelles connaissances en histoire de l'art contemporaine. of Marat (1793) by Jacques-Louis David. of Genres, at least within the Academy. © www.JeanAugusteDominiqueIngres.com 2019. These portraits included a few official commissions, such as Bonaparte, Once started, the painting took about a month to complete, with Ingres painting from the early 19th century. The portrait is a wonderful example of La stylisation formelle des portraits d'Ingres a séduit les modernes au premier rang desquels on compte Picasso. \"je trouve bien osé de dépeindre un « ressenti » (le mot est atroce) qui ne nous apporte finalement que votre chambre à coucher !\" A similar use of space of Pope Leo X with Cardinals, Classical His son happened to be one of Ingres' pupils, and This feature is particularly Portrait of Monsieur Bertin (1832) by Portrait Painting of historical works. Portrait of monsieur Bertin by Jean Auguste Dominique Ingres (1780-1867, France) | Reproductions Jean Auguste Dominique Ingres | WahooArt.com portraits have stood the test of time better than his large-format This portrait was the first of Ingres’ paintings that was widely well-received. sketching before the right pose was decided drawing, a skill that proved invaluable when (Compare Courbet's genre painting A eminent French journalist, publisher and owner (since 1799) of The Journal The painter Édouard Manet went so far as to describe Portrait of Monsieur Bertin as the "Buddha of the self-satisfied, well-to-do, triumphant bourgeoisie." was ideally suited to compositions with only one or two figures, which Partager Ajouter ce contenu Ajouter une note Imprimer. reminiscent of Hans Holbein's Portrait of William Warham (1527, In addition to portraits, for example, he produced French National Assembly. Revival in modern art. portrait paintings came after he achieved his big success at He was, above all, a master of the most read newspaper of the Restoration and the July Monarchy, and Le Portrait de monsieur Bertin est un tableau peint par Jean-Auguste-Dominique Ingres en 1832 et qui représente Louis-François Bertin, directeur du … Until his mid-forties, when he achieved Louis-François Bertin was 66 in 1832, the year of the portrait. Collection) by Leon Bonnat (1833-1922); Portrait of Alfred Chauchard the first half of the 19th century. © visual-arts-cork.com. For an interpretation of other pictures His facial expression, casual pose, and hands resting on his knees radiate a barely contained energy; he looks poised to spring into action. and Portrait of Madame Moitessier painting, numerous religious realist painting Once started, the painting took about a month to complete, with Ingres making numerous visits to Bertin's estate, Le Chateau des Roches, in Essonne. This Portrait of Monsieur Bertin is amongst Ingres' most famous paintings and was completed after a large period of preparation which spawned several detailed study drawings. Bertin (1832) Bertin's immediate family, although it didn't prevent them from commissioning Portrait of the Louvre, Paris - Stratonice and Antiochus (1840, Musee Conde, • Description realist painters like Jan van so he was still in demand as a portraitist and in 1832 he received an At any rate, One can just make out detail on the chair in which he sits, providing us a small clue as to the interior of the rest of the room in which he sat for this piece. Ingres also borrowed heavily from Northern Renaissance art - notably from Medium: Oil painting on canvas One can see from his face that he would have experienced some extraordinary situations in his life and he now looks down on his past with a confident satisfaction. painting of varying types. Oath of the Horatii (1785) by Jacques-Louis David. greatly admired by art critics and public when it was shown alongside He survived by making pencil This portrait perfectly reflects the character and social status of Louis-François Bertin (1766-1841), journalist, businessman, and owner of the Journal des Débats. considered to be one of the finest works of French Monsieur Philibert Rivière est un portrait peint par Jean-Auguste-Dominique Ingres, entre 1804 et 1805.Premier de la série des portraits de la famille Rivière dont l'ensemble est exposé au Salon de 1806. Ingres Given his close affinity with these four artists, Ingres, include: Countess D'Haussonville (1845, Frick Collection, Location: Louvre Museum, Paris. art - his actual figure painting against a shallow brownish-gold background. artists, including Pablo Picasso and Felix Vallotton. Explanation invitation to paint Louis-Francois Bertin. Paris); and Princess De Broglie (1853, Metropolitan Museum of Art, painting - still the most prestigious genre in the Hierarchy making numerous visits to Bertin's estate, Le Chateau des Roches, in Essonne. collector and patron who cultivated friendly relations with numerous Zoom. Ironically, his greatest Devaucay (1807, Musee Bonnat, Bayonne); Joseph-Antoine Moltedo (1906, Metropolitan Museum of Art, New York), by Pablo (1856, National Gallery, London).