Lorsque Merce Cunningham (1909-2009) présenta Biped (1999) en 2001 au Théâtre de la Ville – lieu où il se sentait comme à la maison -, le public fut épaté et emballé. Biped is one of the most successful dance works created by Merce Cunningham, with music by Gavin Bryars and design by Paul Kaiser and Shelly Eshkar. A centennial celebration of the pioneering postmodern choreographer Merce Cunningham’s work with two dance performances by Centre national de danse contemporaine d’Angers under the direction of longtime Cunningham collaborator Robert Swinston. Merce Cunningham Barbican, London ***** A s a choreographer, one of Merce Cunningham's most extraordinary projects has been to reinvent the stage. Merce Cunningham (Centralia, 1919 - Nueva York, 2009) Coreógrafo y bailarín estadounidense. Nos anos 90, o patriarcar rompeu outra barreira, utilizando um artifício digital de simulações de movimentos, "Lifeforms", para compor suas coreografias como "Biped" em 1999. ... Cunningham debuted Biped that same year, which incorporated computer-generated imagery alongside his dancers. Pour la première fois, Cunningham montrait le résultat subtil de son travail avec le logiciel LifeForms. Like all of Merce’s work it involved a collaboration with visual artists, in this case Paul Keiser and Shelley Eshkar who had developed a very striking technique of … BIPED / CNDC Angers Filmed September 27, 2018. Merce Cunningham - Biped Uploaded by rybthr. The pair of works on the program — Beach Birds and BIPED — are from late in Cunningham’s career, 1991 and 1999, respectively, and they show an artist fully immersed in his aesthetic. BIPED was commissioned by the Merce Cunningham Dance Foundation for the dance by Merce Cunningham.. Transfiguration, in fact, is a key idea in Biped, and it takes place on two levels. BIPED. The Juilliard School in BIPED. Technology Livraison gratuite (voir cond.). Par Marie-Christine Vernay — 18 novembre 1999 à 01:41 A l'occasion des 100 ans de la naissance de Merce Cunningham, il est essentiel de se replonger dans l'œuvre visionnaire du chorégraphe. - Discover more animation and arts videos. His originality lay not only in … He explored motion capture technology to create décor for BIPED (1999), and his interest in new media led to the creation of Mondays with Merce. Merce Cunningham Dance Company RainForest / Duets / BIPED. The music by Gavin Bryars, also called Biped, is partly recorded and partly played live on acoustic instruments. (text taken from: http://www.merce.org/thecompany_r-biped.html), Share !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src="//platform.twitter.com/widgets.js";fjs.parentNode.insertBefore(js,fjs);}}(document,"script","twitter-wjs"); 0:07. Merce Cunningham was born on April 16, 1919 in Centralia, Washington. The first is indicated by the title’s reference to a basic fact of human existence: that we are two-footed creatures. Cunningham believed that too close a… 5 T Schiphorst, Merce Cunningham: Creative Elements, Choreography and Dance: An international journal, Volume 4, Part 3, p 92, Note 38: Thomas B Harrison, quoting Merce Cunningham in “Cunningham: Choreographer devises movements on a Computer”, Anchorage Daily News, February 23, 1992; Merce Cunningham and Computer Technology, Foreword by Merce Cunningham, The Tutorial Guide to … Merce Cunningham Biped / Summerspace / Rune / CRWDSPCR / Pondway / Windows. L’Analyse présentée ici se base sur une captation de 1999 filmée par Charles Atlas à Mulhouse et consultée au CND[3] a Paris . The décor for BIPED is an exploration of the possibilities of the animation technology of motion capture. Merce Cunningham Dance Company frequently collaborated with visual artists, architects, designers, and musicians. Marlon Harmon. Here, he pursued formal dance and theatre training. Cunningham worked on the choreography during 1997 and 1998. Posted By Gloria Morano | 0 comments. CNDC d’Angers – Robert Swinston de Merce Cunningham Pour le centième anniversaire de Merce Cunningham (1919 – 2019), chorégraphe emblématique de la post modern dance, le Centre national de danse contemporaine – Angers (CNDC) et son directeur artistique Robert Swinston, vous proposent une soirée dédiée avec un programme sur mesure. Le chorégraphe a conçu et utilisé un logiciel : « LifeForms » pour composer la danse mais aussi un logiciel de capture de mouvement pour créer les images de danseurs projetées sur scène. Biped Chorégraphie de Merce Cunningham, au Théâtre de la Ville, 2, place du Châtelet, 75004 Paris, 01 42 74 22 77, les 19 et 20 à 20 h 30. The sequences of animation vary from 10 seconds to 4 minutes, totaling 27 minutes; they run … BIPED. Aaron Copp devised the lighting, dividing the stage floor into squares lit in what looked like a random sequence, as well as the curtained booths at the back of the stage that permit the dancers to appear and disappear. Débutée en 2009, année de la disparition du chorégraphe, la tournée hommage de la Merce Cunningham Dance Company fait une nouvelle et dernière fois escale au Théâtre de la Ville avec le Festival d’Automne : l’occasion de poursuivre l’exploration de cette oeuvre qui a révolutionné l’histoire de la danse. Biografía. Merce Cunningham Dance Company in TV Rerun. Music: Gavin Bryars, Biped Décor: Paul Kaiser, Shelley Eshkar Costumes: Suzanne Gallo Lighting: Aaron Copp BIPED is a full company work whose duration is forty-five minutes. Cunningham worked on the choreography during 1997 and 1998. As part of the… After Merce’s death in 2009 the company continued to tour the work, along with other works in the repertoire, until the end of 2011. La troupe de Merce CUNNINGHAM se produit au théâtre de la Ville avec "Biped", mélange de chorégraphies et d'images projetées. Deux programmes : Dans l'un, deux pièces inédites à Paris : Interscape (créée en 2000), décors de Robert Rauschenberg, musique de John Cage et Way Station, décor de Charles Long, musique de Takehisa Kosugi, créée en avril à New-York. This is "902_Merce Cunningham_frammenti Biped" by Cro.me. Biped is one of the most successful dance works created by Merce Cunningham, with music by Gavin Bryars and design by Paul Kaiser and Shelly Eshkar. La troupe de Merce CUNNINGHAM se produit au théâtre de la Ville avec "Biped", mélange de chorégraphies et d'images projetées. Photo by Jef Rabillon. Costumes: Suzanne Gallo Amazon.fr - Achetez Merce Cunningham Dance Company : Biped / Pond Way à petit prix. Merce Cunningham's notes for BIPED. Siovaeph. Absztrakt táncművei az emberi mozdulatot állítják a középpontba. The Juilliard School in BIPED. The animate and inanimate meet through a fascinating intersection of enthralling choreography and motion-capture technology. Parts of it were performed in Events at the Jacob's Pillow Dance Festival in Massachusetts during the summer of 1998 as a Work in Progress. Biped. BIPED. Music: Gavin Bryars, Biped Biped is an entrancing, wondrous work. PDF Merce Cunningham EBook. Retrouvez infos & avis sur une large sélection de DVD & Blu-ray neufs ou d'occasion. Cunningham created several more dance pieces before his death. The digital artists Paul Kaiser and Shelley Eshkar collaborated with Cunningham, who, working with two dancers, choreographed 70 phrases that were transposed into digital images. It was almost 50 years earlier that Cunningham … License a Work The Cunningham Trust stages Cunningham's choreography for professional and student dancers around the globe. It’s been a long time in the making, so we’re thrilled to announce that we’ve moved our collection of media-rich arts learning resources to a new, mobile-optimized platform. Toutes les informations de la Bibliothèque Nationale de France sur : Biped - Merce Cunningham (1919-2009) His parents were Clifford D Cunningham and Mayme Cunningham. His masterwork BIPED demonstrates the evolution of Cunningham’s experiments with advancing technology. Many consider BIPED, created in 1999 when Cunningham turned 80 years old, to be the culmination of his use of computers to generate movement ideas. Merce Cunningham, l'homme qui a réinventé la danse. The costumes, using a metallic fabric that reflects light, were designed by the late Suzanne Gallo. BIPED is a full company work whose duration is forty-five minutes. Merce Cunningham was born on April 16, 1919, in Centralia Washington. Tread ... of complete masterworks by world-renowned companies to introductory workshops designed for young dancers new to Merce Cunningham's work. - Discover more animation and arts videos. BIPED is an extended digital animation created to serve as the visual decor for a 45-minute dance of the same name choreographed by Merce Cunningham and performed by his company. One of the most innovative artists of the 20 th century, Merce Cunningham employed a range of tactics to create his sometimes difficult dance productions that confounded and delighted viewers. Cunningham had asked Gallo for "something different," and this was her solution. Creador de unas 150 coreografías, Merce Cunningham es ya un mito de la danza. Summary of Merce Cunningham. Joining a global centennial celebration, the Kennedy Center hosts Merce Cunningham at 100, marking the legacy of the esteemed 20th-century choreographer and Kennedy Center Honoree. Merce Cunningham Barbican, London ***** A s a choreographer, one of Merce Cunningham's most extraordinary projects has been to reinvent the stage. ... [PDF Download] Merce Cunningham: The Modernizing of Modern Dance [PDF] Full Ebook. Del 19 al 21 de julio, su compañía y él presentan en el Grec de Barcelona Event, obra emblemática de su repertorio que resume sus principales aportaciones. A BIPED komoly sikereket ért el az elmúlt években: az Amerikai Táncfesztivál (ADF) Doris Duke díjjal tüntette ki, és meghívták a londoni Barbican Centre-be is. on Vimeo, the home for high quality videos and the people who love them. Often working with his life partner, avant-garde composer John Cage, Cunningham banished dance's traditional reliance on emotive narrative and instead infused it with a … Many of Cunningham's most famous innovations were developed in collaboration with composer John Cage, his life partner.Cunningham and Cage used stochastic (random) procedures to generate material, discarding many artistic traditions of narrative and form. The choreographer Merce Cunningham was undoubtedly the greatest single influence on contemporary dance both in Britain and in the US. Additional support provided by the National Dance Residency Program, a program underwritten by The Pew Charitable Trusts and administered at the New York Foundation for the Arts. Music: Gavin Bryars, Biped Décor: Paul Kaiser, Shelley Eshkar Costumes: Suzanne Gallo Lighting: Aaron Copp BIPED is a full company work whose duration is forty-five minutes. Suzanne Gallo’s costumes use a metallic fabric that reflects light. http://www.merce.org/thecompany_r-biped.html, Le corps devient un instrument musicale /solo Mon…. Chance Using chance procedures in planning his dances opened his mind to new possibilities for movement and other choreographic elements. The action varies from slow formal sections to rapid broken-up sequences where it is difficult to see all the complexity." Photo by Jaime Roque de la Cruz 2012. Cunningham debuted Biped that same year, which incorporated computer-generated imagery alongside his dancers. Merce Cunningham at 100, ‘BIPED.’ Dancers of Compagnie Centre National de Danse Contemporaine-Angers. Chorégraphie Merce Cunningham Reconstruction Robert Swinston Assisté de Ashley Chen et Cheryl Therrien. Cunningham's Timeline. Engage with Us. - Discover more animation and arts videos. The choreographer Merce Cunningham was undoubtedly the greatest single influence on contemporary dance both in Britain and in the US. Merce Cunningham was a respected dancer and choreographer. Une très belle réflexion sur l'application des nouvelles technologies à la danse. “Biped,” made when Cunningham was 80, also incorporated motion capture, which added new drama to the stage. A centennial celebration of the pioneering postmodern choreographer Merce Cunningham’s work with two dance performances by Centre national de danse contemporaine d’Angers under the direction of longtime Cunningham collaborator Robert Swinston. So you're looking for ARTSEDGE.... Well good news. « Biped » de Merce Cunningham (1999) Un long processus de création. Le Théâtre de la Ville clôture son année 2011 en accueillant un double programme de la Merce Cunningham Dance Company. Merce also attended the Mills College and w… Biped is an entrancing, wondrous work. Creó la Merce Cunningham Dance Company en el Black Mountain College en el verano … Transfiguration, in fact, is a key idea in Biped, and it takes place on two levels. Le chorégraphe américain, décédé dans la nuit de dimanche à lundi à l'âge de 90 ans, a modelé son œuvre sur les lois du hasard. Powered by, Badges  |  The digital artists Paul Kaiser and Shelley Eshkar collaborated with Cunningham, who, working with two dancers, choreographed 70 phrases that were transposed into digital images. He was born in April of 1919 and passed away during the summer of 2009. BIPED was filmed in performance in France under the direction of Charles Atlas in 1999. Jacinda Machado. Merce Cunningham choreographed in silence, so that while the music helped to determine the overall mood of the dance, it rarely affected the dance’s phrasing and structure and often did not even last for the same length of time. MERCE CUNNINGHAM DANCE COMPANY. profesional contemporary dance training in the Lake Geneva region, Merce Cunningham - Biped Updated: July 27, 2009 By Alastair Macaulay The choreographer Merce Cunningham died on July 26, 2009. He started his life in Centralia, Washington and ended his days in the Big Apple. Cunningham has written: "The dance gives me the feeling of switching channels on the TV...the action varies from slow formal sections to rapid broken-up sequences where it is difficult to see all the complexity." Merce Cunningham pushed the boundaries of dance and art throughout his life. Pour Beach Birds, Merce Cunningham […] Créée en 1999, cette pièce fait la part belle à la technologie de capture de mouvement avec deux artistes numériques, Shelley Eshkar et Paul Kaiser. Photo by Jack Mitchell 1972. He attained his college education at George Washington University for a year and Cornish school of fine arts for two years. Merce Cunningham’s latest piece, created in 1999 and premiered just after his 80th birthday, is a dance that will leave you transfigured. The Merce Cunningham Dance Company performs “Second Hand” and “Biped,” each a dance drama like no other, as part of the “Legacy Tour” at Brooklyn Academy of Music. Uploaded by rybthr. The Merce Cunningham Dance Company performs “Second Hand” and “Biped,” each a dance drama like no other, as part of the “Legacy Tour” at Brooklyn Academy of Music. Rainforest Duets Biped, Merce CUNNINGHAM. He was 90. Épaulé par les artistes numériques Paul Kaiser et Shelley Eskar, Merce Cunningham orchestre cette chorégraphie qui explose en feu d’artifice de traits, points, lignes, dessinant dans l’espace des tableaux abstraits en évolution permanente, tout comme les silhouettes de lumière et de couleur des quatorze danseurs toujours en mouvement. BIPED, nouvelle addition au répertoire du CNDC, témoigne de la fascination de Merce Cunningham pour les nouvelles technologies. Zellerbach Hall, University of California, 130 West 56th Street, Suite 707, New York, NY 10019, Fellows & Research and Special Project Recipients. Tweet Aaron Copp, the dance company's lighting designer, devised the lighting, dividing the stage floor into squares that were lit in what looked like a random sequence, as well as the curtained booths at the back of the stage that permit the dancers seemingly to appear and disappear. Une émouvante tournée/hommage ultime au chorégraphe américain décédé en 2009. BIPED est une pièce toute en énergie pétillante. He had two other brothers who unlike him followed their father’s line of work. Merce Cunningham - Biped Uploaded by rybthr. Merce Cunningham Interscape / Way Station / Biped / RainForest. It is one of the first new musical compositions commissioned by them since the death of John Cage in 1992. Extraits du spectacle, interviews de Merce CUNNINGHAM et de la danseuse Jean FREEBURY. Merce Cunningham at 90, [Online Video] 2009; Merce Cunningham, Stanford Presidential Lectures in the Humanities and the Arts 16 Merce Cunningham and Computer Technology, Foreword, The Tutorial Guide to DanceForms, Janet Randell, CDA, 2019 Merce Cunningham’s latest piece, created in 1999 and premiered just after his 80th birthday, is a dance that will leave you transfigured. Two masterpieces by Merce Cunningham, one of the most influential choreographers of the 20th century: BIPED and How to Pass, Kick, Fall and Run. These animated images, as well as abstract patterns (vertical and horizontal lines, dots, clusters), are projected on to a scrim at the front of the stage, behind which the live dancers may be seen. At one point in the dance the men, clothed in pajama-like outfits in a transparent fabric, bring on tops in the same fabric for the women. Please check your browser settings or contact your system administrator. Extraits du spectacle, interviews de Merce CUNNINGHAM et de la danseuse Jean FREEBURY. Merce Cunningham vitathatatlanul a modern tánc korszakalkotó mestere. Lighting: Aaron Copp Many people have commented on the elegiac nature of the closing moments of the piece. Merce Cunningham Dance Company at BAM: BIPED. After Merce’s death in 2009 the company continued to tour the work, along with other works in the repertoire, until the end of 2011. Biped. Available through CNDC-Angers starting May 11, 2020. Our licensing projects range from productions of complete masterworks by world-renowned companies to introductory workshops designed for young dancers new to Merce Cunningham's work. 1:05. Biped : Des images numériques mouvantes sont projetées à l'avant d'une scène noire sur laquelle des danseurs exécutent une partition chorégraphique : au mouvement complexe des corps, les images se superposent comme une ombre digitale. The décor for BIPED is an exploration of the possibilities of the animation technology of motion capture. on biped _ chapter by Kaiser in La Scena Digitale, an Italian anthology on technology and art, 1999.. Le spectacle Biped[1] crée en 1999 est un spectacle de danse sur une chorégraphie de Merce Cunningham (1919-2009), une musique de Gauvin Bryas et des décors de Paul kaiser et Shelley Eshkar[2]. Contínuo inovador, Cunningham introduziu nos anos 70 novas tecnologias em suas criações, colaborando com videomakers como Charles Atlas e Eliott Kaplan. Terms of Service. Major support was provided by the National Endowment for the Arts, the AT&T Foundation, the Andy Warhol Foundation for the Visual Arts, and the National Dance Project of the New England Foundation for the Arts (with funding from the National Endowment for the Arts, the Doris Duke Charitable Foundation, The Andrew W. Mellon Foundation, and Altria Group, Inc.) in partnership with the Walker Art Center. Procculd1973. The décor for BIPED, from 1999, is an exploration of the possibilities of animation technology and motion capture. Report an Issue  |  18:22. BIPED was commissioned by the American Dance Festival through the Doris Duke Awards for New Work, The Barbican Centre, London, and Cal Performances, Berkeley, CA. At one point in the dance the men, clothed in pajama-like outfits in a transparent fabric, bring on tops in the same fabric for the women. His avant-garde dance performances and innovative choreography earned him plenty of fans and lots of critical acclaim. Many people have commented on what appears to be the profoundly elegiac nature of the piece, particularly its closing moments. Cunningham also used computer software, DanceForms, to develop the choreography for the dance, which is in a number of sections: solos, duets, trios, and ensemble dances. Sa technique est au centre de la pensée moderne de la danse. Décor: Paul Kaiser, Shelley Eshkar In 1997 I had invited Merce Cunningham to collaborate with Shelley Eshkar and me on a project that we had already roughly conceived — a virtual dance installation called Hand-drawn Spaces.The following year, Merce returned the favor by inviting us into his process. Cunningham recibió su primera formación formal en danza y teatro en la Cornish School (actualmente, la Cornish College of the Arts) en Seattle.Desde 1937 hasta 1943, fue solista en la compañía de Martha Graham.. Presentó su primer concierto solista en Nueva York con John Cage en abril de 1944. Merce Cunningham. Merce Cunningham Dance Company frequently collaborated with visual artists, architects, designers, and musicians. MERCE CUNNINGHAM: MONDAYS WITH MERCE #15: JOHN CAGE. Cunningham also used computer software, DanceForms, to develop the choreography for the dance, which is in a number of sections: solos, duets, trios, and ensemble dances. Overall, in BIPED, nothing is as simple as it seems. Two masterpieces by Merce Cunningham, one of the most influential choreographers of the 20th century: BIPED and How to Pass, Kick, Fall and Run. Suite for Two, by Merce Cunningham, who is the subject of a new eponymous documentary. “Biped,” made when Cunningham was 80, also incorporated motion capture, which added new drama to the stage. The music by Gavin Bryars, also called Biped, is partly recorded and partly played live on acoustic instruments. Nice Fun. Abstraction, rôle du hasard, virtuosité du mouvement, abandon de la narration et des émotions caractérisent l'oeuvre de Merce Cunningham. Lyon Opera Ballet in Summerspace. The first performance took place at Cal Performances' Zellerbach Hall on the UC Berkeley campus in April 1999. Combined with the decor and music, BIPED's choreography takes on a particular dimension and feel, almost like an elegy. Cunningham worked on the choreography during 1997 and 1998. 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